Selecting a piece of jewelry can be a daringly intimate pursuit – it often feels as if the precious metals and stones of a favorite necklace or earring are a reflection of our deepest selves.
With an obsessive, treasure-like approach to gems and their presentation, New York-based Tenthousandthings excels in this vocation – creating meticulously fine jewelry that is simultaneously contemporary, familiar and personal.
Behind the label are designers Ron Anderson and David Rees, self-taught jewelers who turned to the craft after successful careers within fashion.
A meeting of aesthetic worlds, the sculptural forms of TENTHOUSANDTHINGS are informed by the abstract shapes of nature as well as ancient artifacts found throughout the Met Museum’s collections – exhibits the duo visit frequently for inspiration.
“From one thing, begets the ten thousand things.”
— The I Ching, an ancient Chinese divination text that inspired the label’s namesake.
Whether placing French velvet cushions on the settee or draping an Italian cashmere blanket across the back of a favorite reading chair, one element comes first to mind: texture.
While color and tone define the overall mood of a room, the true soft goods experience is characterized by the way a piece feels.
It is the difference between a bothered prickling of the skin when encountering rough burlap and the extended touch invited by a plush knit.
Designers that excel in this space, such as Maison de Vacances and Alonpi, understand this tenet deeply – their quest for sumptuous texture obvious throughout their home goods collections.
Maison de Vacances offers a selection of luxe textiles that cross between tightly woven linens, intricate jacquards, soft fleeces and smooth, shiny velvet.
Presented in a color wheel that ranges from neutrals and creams to jewel tones and pastels, designer Michèle Fouks and her team of French textile artisans have created versatile homegoods that can be layered to taste.
When arranged in a series of soft neutrals, these pillows and throws cultivate a serene atmosphere for the colder months – one that invites hot cups of tea, intimate conversations and long spells by the fire curled up with a good book.
Paired with the knit throws of Alonpi, a multi-generational textile atelier dedicated to the art of exquisite Italian cashmere, and the textural experience is complete.
A similar devotion to touch can be found within the work of Laurie Goldstein, an Israeli ceramicist known for her hand-painted stoneware – as seen in the finish of the glaze and the grit of the clay across her collection of graphic bowls, plates and serving trays.
A Wommelsdorff sweater is enticing because of its simplicity – designer Anne Schramm prides the label on presenting uncomplicated, but exquisite cashmere made for the everyday wardrobe.
Her team’s use of classic crochet techniques creates a plush network of textures that can only be found within the handmade.
There is certainly a nostalgia component to this work – a history of knit traditions is spun into each perfect stitch.
We found a kindred soul in the designs of Nanna Pause – a Sicilian atelier specializing in felted fabrics such as baby alpaca.
A shared taste for the simplicity of patient making abounds within her collection – a selection of soft jackets that are an excellent choice for layering over Wommelsdorff and other well-considered knits.
Each piece is made of a double-faced fabric in subtle, earthy tones.
Designers prioritizing the value and beauty of the handmade remind us to take a moment and appreciate the things that truly matter – dedication, a bond with the earth and celebrating the craftspeople who connect everything.
The world is complicated enough as is – why should dressing make it any more so?
The intersection of form and function is where Marsèll is most inspired – creating a collection that is as equally defined by its sculptural accents as it is by its utilitarian details.
Their fine leathers are notoriously light, making their shoes a breeze to slip on and go.
This same consideration for ease of wear is carried throughout their accessories – with bold, but elegant totes and bags that feel as good as they look.
Versatility is prized within their designs – a series of classics that can be dressed up or down depending on the needs of an outfit. Their footwear is comfortable out of the box, while maintaining the sophisticated silhouettes the label is known for.
Even in a shoe as straightforward as the humble flat, Marsèll carefully contemplates the needs of the wearer in conjunction with a desire for style. The footbeds are as soft as the leather uppers, and the overall shapes are organic to the foot.
A nod to their artistic and avant garde roots, Marsèll includes a selection of fashion-forward pieces ideal for personal expression – such as the Ago, a steel-capped ballerina flat with an adjustable heel that can be flattened to create a mule style, and the Nodone, a boldly graphic tote with thick leather cords that can be tied to a preferred handle length.
Memories are made around the table. Jokes, conversation, the spilling of raspberry jam on white linens – a shocked pause met with the relief of raucous laughter.
This connection of meals and memory are part of what makes Astier de Villatte’s works so resonant – each piece feels as if it’s been plucked from a past life, yet is as familiar as the loved ones you share it with.
It is here, between the gravy boat, the green beans and the candied yams that fondness is forged.
By emulating the aesthetics of French antiquity, such as irregular edges and deliberate imperfections in the glaze, Astier de Villatte harnesses a laissez-faire elegance that is the perfect finishing touch for formal dinners, casual cocktails and everything in between.
Made of black terracotta, the pieces are thin and light without being too fragile for daily use.
Brushed with their signature milky glaze, Astier de Villatte’s approach is ultimately sophisticated without veering into the realm of pretension.
Whether a cake stand, a tureen or an embellished platter, Astier’s simplicity of design is the ideal background on which to build a meal to remember.
London-based jeweler Pippa Small believes that every stone has a story to tell.
In her handmade fine jewelry, she lets these stories take center stage – each a unique imprint of the stone’s place of origin, such as fiery Brazilian kyanite or dulcet Pakistani aquamarine.
Her charms feel distinctive and personal, as if they were specially crafted for the wearer and the wearer alone.
A classically-trained anthropologist, Pippa’s designs are inspired by her lifelong passion for travel and the cultures she has learned from along the way. A pebbled gold “cardamom” pod hangs from several of her pieces, a nod to her time spent working alongside the traditional goldsmiths of Rajasthan.
Of special note is Pippa’s use of precious metals – an 18K or 22K gold that envelops her stones in a halo of warmth. A champion of ethical sustainability in fine jewelry, she uses a combination of fairmined and recycled gold to craft each piece.
“I believe the perfect piece of jewellery is a personal one. It’s a piece that is imbued with memory, association, pleasure, with a place perhaps, hopefully bringing emotive connections for future generations to come.”
In his latest delivery for fall and winter, Dries Van Noten’s expertise is on full display.
Titled Nostalgia del Futuro, or literally “Nostalgia of the Future,” this collection explores the timelessness of high fashion, blending together retro, modern and futurist aesthetics through the strong silhouettes and exceptional tailoring Dries Van Noten is known for.
Each garment acts as the canvas upon which he experiments with texture, color and finish – presenting an array of coats and jackets that proves no piece is just a top layer.
Dries’ textiles are embroidered with both traditional and modern techniques to produce free-hand stitching and polished, graphic shapes.
His designs feature oversized florals and subtly shifting metallics alongside a menagerie of animal prints – such as leopard, zebra and giraffe.
Each piece is treated in the same way an artist might paint with a palette knife, building layers of fabric and stitching to create an ultimately sculptural experience.
Accompanying this delivery is a selection of silk and cotton shirts that play up Dries’ penchant for androgynous design. Paired with the refined tailoring of the Bis pants and the smooth foundation of a Clavelly top, his coats are the finishing touch in a look ideal for an unforgettable winter evening out on the town.
Our private collection will be available to browse through Friday, December 2nd at 12PM MST.
Glazed in their inviting Bruno color, Stamperia Bertozzi’s dishware embodies the warmth so craved for in chilly weather.
The lovely tone flows from yellow to orange to tan, exemplifying the organic, seasonally-charged palette inherent to handmade ceramic.
Bruno simultaneously mimics the changing leaves of the trees, the pop and crackle of a fireplace and the cheery allure of lit windows on a frosted evening walk.
A three generational family-run studio, Bertozzi’s dishware is imbued with a rustic personality by their team of skilled artisans in the hills of northern Italy.
Generous amounts of their chosen base material, Limoges porcelain, are molded by hand to create each distinct piece – the divots and irregularities in shape a core part of their charm.
Vibrant glazes, carefully brushed on before the firing of the ceramic, serve as the artistic backdrop for rosemary flatbreads, mincemeat pies and ripened sliced plums.
For a truly fall-inspired table, pair the ceramic with Bertozzi’s traditional stampe a mano block-printed linens dabbled with impressions of autumn leaves and branches.
From casual brunch to elegant family dinners to festive cocktails with favorite friends, Bruno sets the mood for cool weather tableaus to come.
La Soufflerie’s unique glassware complements the Bertozzi table with its own bubbled charm. Hand-blown in their Paris studio, each glass invites a pour of crisp white wine or tempting apple cider.
We’re lucky to say when working with handcrafted fashion, joy is found in every stitch.
Rianna + Nina, in particular, is one of our favorites to photograph: the colors, uniquity and overall artistry of their work provides an endless well of inspiration for us to explore and experiment with.
We typically start by building a scene for our delightful model, Chauné, to visualize herself in – the forests of Patagonia, a charming village in the Swiss alps, or in the case of Rianna + Nina, an open-air souk in the heart of Marrakesh.
The tufted scarf wrapped around Chauné’s shoulders, a key piece from Rianna + Nina’s Paris showroom, is a combination of traditional Malinese indigo and the fringe of an antique Moroccan rug. In Calla Hayne’s own Paris studio, she seeks out a similar North African thrill in creating her signature Babouche slippers by upcycling vintage Berber rugs.
Rianna + Nina’s handbag offerings for the season continue this visual storytelling, with colorful pom-poms strung along the edges of eye-catching totes. Their surfaces, studded with hand-beaded geometric shapes, glimmer in the same way an artful gold necklace might.
By traveling to the inspiration behind the collections, we are able to truly connect with each piece and each other – most of our photoshoots end in fits of raucous laughter.
These rarely shared private moments are at the heart of why we do this.
Our Rianna + Nina styling was envisioned by Olha, organized by Maylinda and captured by Tim from behind the camera.
Despite their reputation for avant garde styling and exceptional cashmere, Avant Toi’s true strength lies in their experimentations with color.
Their palette takes many forms, and is often inspired by creative travels around the world.
Based on both the method of application and the layering of under-dyes in the garment, Avant Toi’s colors stretch across the visual spectrum to create their gallery of unmatched knitwear.
Forest & Moss
Perhaps their most impactful hue, Avant Toi’s Forest spans from a warm teal color – similar to the waters of Sardinia – to a deep and verdant green plucked straight from the Amazon rainforest.
Sprayed over raw cashmere with no under-dye, the undulating hue speaks of a hazy fog that weaves through the Brazilian tropics.
Lake & Ocean
The enigmatic Lake blue appears as both a deep lapis color reminiscent of the Atlantic coast along County Kerry, Ireland, and the frothy glaciers of Godafoss, Iceland.
When sponged over Boreal grey in their Stola Scarf, we see a breath of clouds over Lake Como at midnight.
Orchid & Anemone
In pink and purple, Avant Toi ranges from a sweet Orchid color, inspired by the flora that dots the South American Andes, to a dusky Rhubarb that echoes the plant that shares its name.
In their bright Anemone, we see both a spray of windflowers growing in an Umbrian meadow and a forest of blooming coral along the seafloor.
Corten & Carruba
For a directly earthy offering, Avant Toi’s rich browns range from the tangy caramel hues of Corten, a mimic of weathered steel architecture across Scotland, to the warm plush of Cantharellus inspired by the glossy mushroom harvests of the Tillamook Forest.
The organic personality of a gemstone is difficult, and sometimes impossible, to replicate – to be truthful, it is part of what makes certain stones their own work of art.
Charming imperfections, undulating color and structural composition meld into a character unique to each stone.
Preserving the natural magnetism of these materials is paramount for designers Gerda and Nikolai Monies – a challenge they both invite and relish in creating their one-of-a-kind jewelry.
This stunning citrine necklace exemplifies the earthy character Gerda and Nikolai are known for. A geologically rare pale-yellow quartz, the light captured and reflected within the citrine’s cascade of facets is both subtle and undeniably elegant.
At the clasp, two striking pieces of rutilated quartz sit alongside a hazy orange carnelian. A departure from the typically graphic black leather and ebony settings of Monies’ signature, each stone rests in carved Danish oak.
The play of light and texture between the intersecting filaments of the rutilated quartz, the creaminess of the carnelian and the glimmer of the citrine strands creates a piece that is simultaneously unexpected and extraordinary.
In seeking a combination of materials that best complement the character of each component, Monies creates jewelry that is ultimately greater than the sum of its parts.
The colors of fall are a staple for the seasonal interior designs of this year.
The warm reds, yellows and oranges of fallen leaves along with the soft, rustic browns of bared tree branches and the neutral, moody grays of cold cloudy skies found their way into the palettes of 2022 autumn and winter collections.
Currently popular Pantone hues such as the red of Lava Falls and the brown of Caramel Cafe pair exceptionally well alongside the crisp, seasonal classic grays of Chiseled Stone and Polar Night.
This earthy, complementary theme comes together in Maison de Vacances’s plush pillows and Catarina Riccabona’s woven throws.
These alluring tones color a variety of fabrics allowing for interesting combinations of natural textures from cottons to velvets and wools to linens.
The organic fibers and autumnal palettes allow for the fulfillment of the fall home – a referential style that brings the outdoors inside.
Shifting from sofas and seats to desks and tables, the organic shapes of Danny Kaplan’s ceramics can provide a warmth of light or arrange a decorative placement while serving as complementary objects to the fall home.
Through our travels, we have found you can go everywhere in Album di Famiglia. Here we explored some of the scenic towns of the USA and the beautiful places in between.
Adored for their design philosophy of simplicity, plush and textural cotton velvets, cotton jersey, and paper cotton-lined wool jackets take the main stage in the brand’s uncomplicated offerings.
Whether traveling through highways along the coast or backroads in the heartland, Album di Famiglia is intended to be worn no matter your destination.
Since her label’s launch in 2005, Uma Wang has stood out because of her ability to imbue a subtle vintage aura into her designs.
The aged details of Wang’s refined aesthetic are apparent not only in her clothing, but in the bags, shoes and scarves of her accessories collection as well.
Inspired by history’s romantic images of adventurous travelers, these accessories emit a captivating, antique quality.
From pinstriped interior linings to roughened exterior surfaces, every textural detail harkens to old luggage, 1920s menswear and weathered paper.
Scarves are dyed in subdued, fading hues, appearing as though they were worn nearly a century ago.
Faint cracks appear in the earth-toned leather bags which are hung up by broad belts reminiscent of the seasoned strap of a mid-century 35mm film camera.
The worn canvas fabric of each shoe features well-used details such as tongues with tastefully tattered edges, lightly frayed cotton laces and understated wear along the profile and sole.
Fundamentally simple in design, Uma Wang’s bags, shoes and scarves pair beautifully with her clothing as well as the clothing of other designers.
Her accessories celebrate idyllic notions of the adventurer, lending an alluring hint of intrepid mystery to the sophisticated wardrobe.
Rundholz has consistently been a celebrated brand and avant-garde leader in fashion since its inception in 1993.
Led by Carsten and Lenka Rundholz, the label consists of three separate lines differentiated by focus and offerings.
The creative force of this husband and wife duo produces two collections per year for each line – Mainline, Dip and Black Label.
Mainline – Artistic Explorations
Rundholz Mainline exemplifies the philosophies associated with the label’s initial launch.
It celebrates nonconformity, while still delivering all the tailoring expertise associated with high design.
Particular to this collection, Carsten focused on painterly ideas as a nod to the artistry and individual expression taking place in fashion.
He created many one-of-a-kind pieces himself adding personality-filled strokes and splatters to classic houndstooth coats and scarves.
Dip – Sportswear with an Edge
Looking to experimental fabric treatments and modern art as inspiration, Rundholz Dip became a reality in 2004 when Carsten explored Japanese dip-dye techniques to innovate Rundholz’s already cutting edge designs.
DIP garments consist of offbeat elements, silhouettes and details borrowed from urban and streetwear styles.
Extended zippers drape down from unconventional pockets and raw edges are intentionally left exposed, adding texture and a non-conformist attitude to each piece.
Black Label – Casual Femininity
For Rundholz Black Label, easy, casual pieces that are meant for the everyday are the focal point.
For this season, the strength lies in knitwear that plays with textures.
Atypical faux furs, corduroy and unusual drop stitch elements in knitwear manifest in simpler silhouettes.
Pulling from each line or honing in on just one are both valid approaches to creating unique combinations of fabrics and styles to develop an innovative wardrobe.
With a passion for experimenting with offbeat techniques in treating fabrics and developing designs, the husband and wife duo behind Rundholz has been pushing the boundaries of fashion since 1993.
Producing two collections a year, for each of the three lines within their brand, Carsten and Lenka Rundholz look to a variety of influences finding unique and interesting motifs from which to build innovative ideas.
Haphazard streaks and stains of paint can evoke images of an abstract artist’s canvas or the floors and walls of a well-used studio.
Gillian Ayres in her Studio by Vogue via Gillian Ayres
However, for Rundholz’s Carsten and Lenka, the multi-colored remains from a painting’s creation serve as inspiration for several pieces in their latest mainline collection.
“Untitled (Arc)” by David Smith
For the fall and winter season of 2022, the designers’ canvases are a classic houndstooth coat along with a light and airy long sleeve top.
Borrowing from the 1990s grunge look, the houndstooth coat resembles the well-worn school uniform of a British student with its neutral palette of grays and loose, oversized fit.
Leaning into the aloof grunge aesthetic, droplets, streaks and smears of paint mark the coat with the casual demeanor of an expressionist’s paint flowing from one brushstroke to the next.
A moldable wire sewn into the collar, placket, hem and pocket flaps of the garment adds a creative touch of complexity, allowing for the bending and shaping of the garment to give it a charismatic, broken-in look.
If the applied paint on this Rundholz coat suggests a minimalist Pollock, the printed pattern of brushstrokes, splotches and splatters on Carsten and Lenka’s long sleeve tops calls Lee Krasner to mind.
“Primary Series Blue Stone” by Lee Krasner
As the underlying color of the fabric gradually transitions from a olivey cream to a cool gray, the red, blue, green and black tones envelope the garment in expressionist marks.
The top’s light, semi-sheer fabric results in versatility when layering or for making a statement when worn by itself.
The painted textures and prints of this Rundholz Mainline collection act as Carsten and Lenka’s nod to the tasteful messiness of grunge, supplying their nonchalant designs with a personality and charm fit for a gallery or museum.
Italian design is synonymous with the highest tier of quality craftsmanship. The sublime fabrics and fine tailoring of Masnada’s Fall/Winter 2023 season delivers on that reputation.
Seeing clothing as works of art, brand founder Angelo Iannello pairs the legacy of Italian craft with a passion for experimentation and a desire to produce timeless garments that surpass preconceived notions about fashion.
Informed by a preference towards eco-friendly materials and a strict avoidance of unethical practices, Iannello and his team of skilled artisans produce Masnada’s designs from premium, natural fibers with exquisite textures.
Recycled eco-down, cozy cotton and sensuous silk form several of the imaginative pieces in this collection, all of which are dyed in solid colors and painterly patterns of predominantly soft, earthy hues such as green, brown and beige.
For Angelo, staying true to the quality of Italian craftsmanship is not just represented in the materials used, but also in how they’re put together.
With unorthodox zippers that allow hoods to become shawls, delicate stitching from top to bottom and an emphasis on well-tailored silhouettes, the intricate details and inventive construction of a Masnada piece demonstrate Iannello’s ability to create artful clothing.
The use of clay to create ceramics is one of humanity’s oldest art forms dating back thousands of years before recorded history.
It continues to be one of the most popular methods of artistic expression and practical creation to this day.
Situated within this legacy is the work of Nobue Ibaraki, an artist whose pieces could belong in a museum exhibit of ancient pottery just as easily as serving as wabi-sabi inspired decorations within the interiors of a contemporary home.
Located in Sano City, Japan, Ibaraki forms her clay pots, pitchers and vases within her home workshop.
Informed by her Japanese fashion and ceramic design education and influenced by her love of ancient Persian and Greek art, Ibaraki blends concepts both old and new.
The imperfect, artifact-like style of her work stems from a preference to abandon the potter’s wheel and instead shape her clay completely by hand.
Colored in earthy, subdued tones, the textured, raw matte finishes of Nobue Ibaraki’s pieces harken to ancient ceramic relics.
These ties to human history result in age-old motifs crafted within the knowledge of contemporary design.
Finding its way into the refined garments of several clothiers across Europe, the always-luxurious velvet is a fabric of choice for a selection of French, British, and Italian fashion houses.
Velvet, a textile known for its distinctive soft feel and its lustrous sheen, has been an adored fabric for over 1000 years.
One of the highest qualities of fabrics, the material has long been associated with royalty and nobility and reserved for expensive and extravagant garments, furniture and decorations.
French, Italian, and Spanish Velvet Antiques via The MET
Traditionally created from silk, and softest in premium versions of this variant, velvet textiles can be produced from a variety of fibers in the current day.
By weaving together materials of varying thicknesses on a special loom and then being cut apart, the lush texture of the fabric is a result of the short pile created during its production process.
Close Up Detail of Velvet Textile Image via Isokivi
This historically prized fabric is being offered in layer-ready velvet pieces for the fall and winter season.
Of particular note is the prevalence of a golden brown coloring inspired by the reds, yellows, and oranges of the changing leaves of fall.
Album di Famiglia, the celebrated family-led Italian brand, has included jackets and coats made from cotton velvet blends in this rich hue.
Another Italian cotton velvet offering comes from Daniela Gregis with her sumptuous ochre tops and pants that feel like butter.
From British designer, Toogood, is a silk velvet sophisticated, collarless top in this inspired tone.
But this popular color isn’t the only option in autumnal velvets – deep blues and polished blacks abound in the collections of Daniela Gregis, Album di Famiglia and Casey Casey.
From the streets of Paris, Casey Casey offers a glossy, black cotton velvet coat in their typical sharp, well-tailored style.
With so many designers utilizing this famed textile, this season is an alluring time to bring this beloved fabric into any wardrobe.
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For 30 years, Rundholz has stood out in fashion for their world-renowned, unconventional and experimental designs.
Helmed by Carsten and Lenka Rundholz, a husband and wife duo with backgrounds in visual and graphic design, the couple founded the brand with a goal to expand the possibilities of feminine style.
Producing six collections a year, two for each of their three lines, Carsten’s designs for Rundholz embody his consistent desire to reflect his wife’s artistic spirit.
Carsten and Lenka Rundholz Portrait via Rundholz
This season’s collection is no different.
To create the exceptionally cozy and sumptuous sweaters for the upcoming fall and winter months, Carsten and Lenka sourced raccoon fur from northern Asia.
A texture pleasing to the touch due to its soft nature, the fur’s origin in cold climates makes for a welcoming embrace.
During production, the raccoons are combed during their molting process, harmlessly removing the fur which is then spun into yarn.
After knitting the final product, the result is a comfortable, warm garment consisting of fur that pills less than conventional cashmere and wool fabrics.
As always, the feminine silhouettes of Rundholz are present.
Cinched cuts are offered that lead the bottom of the garment inward while still being contemporarily oversized and easy to wear.
Both in a cropped and full length look, the sleeves are left long to allow for coverage of the hands or for pulling up to the wrists which accentuates the cut and further flatters the wearer.
Colored in dark reds, subdued greens and wintry whites, the season-appropriate hues of this collection allow each sweater to add color or dimension when layered.
The raccoon fur sweaters of Rundholz’s newest collection are prime examples of Carsten and Lenka’s skill in producing innovative, versatile garments.
Informed by an upbringing within Indonesian culture and a European education in design and couture, Biyan Wanaatmadja creates from a unique perspective consisting of these disparate influences.
Producing innovative, exquisite collections since launching his brand in 1985, Wanaatmadja’s bold, feminine silhouettes are constructed from fine fabrics and detailed in hand-embroidered finishes which lend an extraordinary artistic touch to every garment.
A frequent source of inspiration for Wanaatmadja, themes of nature predominantly embellish the intricately cut gowns, dresses, tops and tunics of this season’s delivery.
Printed patterns of organic, sometimes abstracted shapes are situated alongside dimensional, embroidered florals, stems and leaves that pop off the fabric.
Ornamental materials, such as a variety of beads, adorn garments, forming the petals and pistils of flowers that reference and amplify the natural motifs of the collection’s designs.
Earthy browns, greens, yellows and beiges are complemented by arrays of muted and vibrant blues, reds and oranges to paint the grasses, trees, leaves and various shapes of Wanaatmadja’s fabrics and patterns.
Ultimately, all the facets of Biyan’s Fall/Winter 2022 designs result in a celebration of nature through elaborate, hand-shaped details and thoughtful, sophisticated cuts.
Inspired by the timeless aesthetics of rustic French interiors, Maison de Vacances works outside of modern trends when developing their textiles.
The natural qualities of their soft goods easily complement the character of an antique throw while their more refined forms fit seamlessly into the clean lines of a modern home.
With their simple, but sophisticated touch, the pillows and throws of this French design house are an ideal choice for versatile decor.
Woven only with natural materials, the textures of their cotton velvets and smooth linens define the uncomplicated shapes of Maison de Vacances offerings.
An abundant range of colors and finishes provides variety within their designs, inviting homeowners to mix and match to their taste.
Sitting atop a vintage Danish settee and paired with an antique Indian throw, the soft reds, yellows and oranges of the French-made pillows create a fusion of cultures and eras tied together through a colorful cohesion.
These hues bring warmth to a room – a welcoming ambience that encourages one to recline, relax and reflect.
For fall, Uma Wang looked to the great outdoors. Specifically, she found inspiration in the Pampas of South America – an expansive grassland that spreads between Argentina and Uruguay.
This sea of pastures, and the gauchos who once roamed it, channel an earthy sublimity into the very stitches of her collection.
Influenced equally by Jorge Luis Borges, a renowned Argentine author and philosopher, Uma’s designs are pensive and romantic while maintaining the moody depth she is known for.
Uma Wang’s new delivery revels in the textures of this landscape – velvet jacquard vines sprawl across the finish of specialty coats, while tilled rows of delicately knit alpaca yarns run the lengths of sleeveless tunics.
A plush of fluffy eco-wool sprouts from the Kepi vest, a soft textile that mimics the sheep that graze throughout the Pampas.
Through feel and color, this collection invites the nostalgia and freedom of wandering the rolling plains at dusk.
“There is an hour of the afternoon when the plain is on the verge of saying something. It never says, or perhaps it says it infinitely, or perhaps we do not understand it, or we understand it and it is untranslatable as music.”
Curators of the extraordinary, Gerda and Nikolai Monies exist within a small, special world of artists celebrating natural materials in their purest state.
Their latest piece to catch our eye?
A breathtaking malachite necklace featuring twelve slabs of the intricate stone.
Unique in both its striation and presence, this one-of-a-kind necklace is simultaneously geometric and wholly organic.
Often formed by stalactites in deep, underground caverns, the region’s mineral composition imprints its identity into the malachite, creating distinct bands that appear when the formations are sliced. When polished, the luster is silky, with a discretely earthy undertone.
Gerda and Nikolai have taken great pains to maintain the natural beauty of this malachite, celebrating the inherent imperfections and character of its genesis. Each piece is hypnotizing – concentric circles, delicate florets and waves of light green dance across the emerald-hued surfaces.
Laced together by Monies’ signature black leather cord, the stones form a striking statement piece – as captivating to look at as it is to wear.
Born from a collection of equally astonishing jewelry, the variation and combination of natural materials and artistic presentations are what makes Monies as unique as the individuals who wear it.
